In the previous lesson
we covered the science behind the essential need for pressure-equalization when
working sub-surface and ran through a series of methods to accomplish this end
that required a free hand, i.e., “The Pinch Series.”
We closed that
exploration with the following observation… “how do we account for equalizations made by indigenous divers at depth
who may have a fishing spear in one hand and a sea-harvesting basket in the
other or a clutched surface-line? Let alone the horrible contingency of a
sub-surface swim with hands shackled behind one’s back.”
Without hands being
free, how does one make the vital equalization?
Turns out there are
few hands-free methods used by indigenous divers that we can adopt for our own
uses.
We won’t go over the
same anatomy lesson offered in the prior offering but wisdom dictates that if
one is refreshed as to how we used controlled air-pressure and subtle twists
and turns of our own anatomy to move the Eustachian tubes from collapsed to
open that will make consumption of what follows much easier.
A yawn is the classic
hands-free method used to equalize pressure above surface. Anytime we increase
altitude whether flying, enjoying a mountain drive, or assaulting K2 a yawn accompanied
by a popping in the ears as the Eustachian tubes move from collapsed to open is
our natural bit of pressure-equalization.
The trouble is that
sub-surface the wide-mouthed yawn is not feasible, but we can utilize methods
that simulate the yawn.
“The Closed Mouth Yawn.” Contract the muscles in the soft palate [the
rear roof of the mouth] while you leave your mouth closed. Add to this a bit of
contraction of the muscles in the throat and moving the jaw forward and down.
This series of motions
performed smoothly often provides the tubal opening required to equalize
pressure. This is an easy one to experiment with on dry land, if performed
before a mirror be prepared for your unusual facial expressions.
“Tilting.” The most common [and perhaps easiest] of the indigenous
sub-surface equalizations is running the head through a series of tilts. An extreme
tilt of the head to the left side stretches and often opens the Eustachian tube
on the right side and vice versa.
You should find that
if you tilt the head while looking upward, that is head tilted backward in addition
to the sideward tilts there is an easier avenue to “popping.”
If you combine titling
with the constriction of soft palate and throat muscles with a bit of jaw-maneuvering
the job is often accomplished asap.
Again, refer to the timing
of equalizations in the prior article in this series. It is vital to be in
front of the need to equalize and that starts when bone-dry.
[Next in this
series—Safe Ascents.]
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