The following
question, from good man, Ron Casas, prompts what follows…
“Do you have
a favorite, Old Western Gun fighter ( Pistoleros)?”
My child answer
[or Brian Regan answer] is I have many favorites. 2-3 dozen come to mind immediately,
but I find I am constantly expanding “My Favorite.”
I work Western
firearms 6-days per week when I’m in town.
Just as with
our Black Box pugilism, wrestling, rough ‘n’ tumble and vicious weaponry array I
have adjusted my firearm method to “historical recreation” or schoolyard “play pretend.”
I pick a human-target,
so to speak, and for that week of drills/scenarios, seek to emulate what they did
right, what they advocated, and in some cases, what to avoid when it finally
went toes-up.
For Example—This
Week’s Target is George W. Flatt.
·
Flatt,
a fellow Tennessean, wound up in Caldwell, Kansas.
·
Flatt
had worked variously as a saloon keeper, range detective, and “law officer” which
often meant, when something hairy was going on, a deputy could call on George
to back his play.
·
Flatt
wore two tie-down guns, a little rarer than the movies would have us believe
but, and this is what fascinates me, he could hit with both under duress.
July 7,
1879, Caldwell, Kansas.
·
It’s
a Monday afternoon and two cowboys from the Cimarron Strip, George Wood and
Jake Adams show up at the Occidental Saloon and begin to “enjoy themselves.”
·
The
two wound up “enjoying themselves” into the street and firing their guns
willy-nilly.
·
Constable
W.C. Kelly and Deputy John Wilson confront them.
·
Wood
and Adams head back into the saloon and refuse to come out or surrender their weapons.
·
Kelly
and Wilson “posse up” with two citizens W.H. Kiser and George Flatt.
·
The
four enter the Occidental. Guns are demanded to be handed over.
·
Wood
and Adams pull their weapons again and say “You hand yours over.”
·
Flatt
replies, “I’ll die first.”
·
Wood
and Adams sought to accommodate.
·
The
first shot whizzed by Flatt and grazed Kiser’s temple who stood behind him.
·
Flatt
drew both pistols, Wood lunged for the door, Flatt snaps two shots, one goes
wild, the second clips off the end of Wood’s forefinger, tearing off the
trigger of his gun, passed though both lungs before coming out under his right shoulder
blade. [Such post-shooting replays were common in newspapers of the day. See
Glendon Swarthout’s novel “The Shootist” for an excellent fictional portrayal of
this practice.]
·
The
impact rolled Wood into the street where he died.
·
Almost
simultaneously Flatt fired with his off-hand and hit Adams in his right side.
The slug tore through his body and lodged in the wall.
·
Adams
fired back as he was hit, missed Flatt and grazed Wilson’s wrist.
·
Wilson
fired twice hitting Adams in the head and stomach.
·
Adams
dropped to the floor firing one more shot that hit Wilson in the leg before
dying.
It is remarkable
to me that Flatt could get off three shots from two guns, firing at two different
moving targets while under fire himself.
The Lesson
Plan
·
Fast
double poker-chip draw so that both weapons are at presentation before the chip
hits. See here for how to add Poker Chip draws to your own training with any
weapon. https://indigenousability.blogspot.com/2019/11/speed-in-weapon-acquisition-poker-chip.html
·
Double
thumb-bust fire with the good hand [as one would expect you should be able to
do.]
·
And
get at least one quality single out of the off-hand.
·
Stay
in close, and aim to gradually increase distance
by a pace until a bit of smoothness is felt.
Of course, I
will lack the facing down two wild men with guns aspect, and I’m thankful for
it.
But, long
story short. That is my method for how I work with my “favorites.”
If you dig
such historical recreations and applied methodology, well, I can assure you
that is what The RAW/Black Box Project is all about.
Researched
to the nth degree, then applied for veracity and utility, and then tied up in a
pretty instructional bow just for you.
To stand in
the footsteps of such Hombres or for more info, see here:
https://indigenousability.blogspot.com/2020/08/the-black-box-project-by-mark-hatmaker.html
Comments
Post a Comment